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Bishop & MINE’99, At It Again!

April 18, 2005 by  
Filed under Drama & Rumors

Seems Bishop and MINE’99 are once again crossing swords, this time in my post about the upcoming Cliff’s List Seminar.  After responding to a poster who claimed MINE’99 hasn’t made any advancement in years, MINE’99 listed his rather sub-standard product catalogue, which Bishop then took the opportunity to spank…

Bishop writes:
In response the defendent, Ross, who wrote:

""Going 7 years back to 1998 we have:

LA Frame Control videos 1999
DC 2000 Seminar Videos 2000
Palo Alto 2002 Hyper Response videos
Beyond Confidence
Fear Into Charisma
Advanced Irresistible Arousal""

LA Frame Control:
Is that the one where you recited the "Two Eyes" poem? Okay, you’re
right, that was previously only available in written form, so THAT was
an advancement.

DC 2000:
More like Major Mark’s finest moment than yours. Oh, wait, isn’t that
the videos where several times you mention "Bishop’s Journal" with such
high praise, and say that it’s the best example of combining
traditional patterning with the "new" stuff? But, I thought "Bishop’s
Journal" was a fake??? How can something fake be the best example of
your materiels???

Palo Alto 2002:
You used MY "fractionation" technique as your foundation, so it wasn’t
your advancement, it was piggybacking on MINE. Oh, okay, you found an
alternate way of doing the powerful self exercise.

Beyond Confidence:
Okay, so you found yet ANOTHER alternate way to have people step into
their ideal self. Hardly an advancement. (Unless you count advancing
sales)

Fear into Charisma:
From what I read in the ad copy, you pretty much combined my stuff,
David D’s, and Mystery’s. So where is YOUR contribution to it???

Advanced Irrisitible Arousal:
My fractionation techniques you used in Palo Alto 2002, Bishop’s
Journal, my Methods & Masters CD, Advanced Double Your Dating, and
reworded old stuff just repackaged as a new product.

Come on, Paul, are you REALLY expecting people to not notice these things????

""That’s 6 products right off the top, Bunky. Now, in the years you
have been involved with this, how many products did you actually manage
to complete? Hmmm?""

Five. And based on your products since then, apparently they had an
influence on you.(I can’t wait to see what you "borrow" as your own
when I release "The Fire of Seduction" But I have news for you; you
won’t find any SS materiels anywhere in it, so you’re going to have to
think for yourself, "bunky")

""Creating an inferno? I knew you broke into a house, but I didn’t
know arson was one of your great loves too. Please tell me you are just
using a metaphor, Mikey.""

There is yet another case of you making a libel statement. I was never charged nor convicted of breaking into a home.
Speaking of my legal matters; It’s a good thing I was a fraud and my
book was full of fiction, or else one might get the idea that I had the
hypnotic and infuential ability to get my former cellmates to come
visit people who don’t behave. Good thing THAT could never happen, me
being a fraud and all.

By the way, I thought you said Major Mark stopped speaking at your
seminars because he wanted to focus on his own company. Hmm, so why
does he speak at all those DeAngelo seminars??? How’s the new
attendance at the seminars been since he left?
By the way, did Yates make sure to get someone to eliminate the nearly
dozen mentions of me and my book, in the DC 2000 videos? If not,
excellent free advertising, thanX!

It’s a well known fact that MINE’99 isn’t the most "original" person in the world.  His initial products were based on NLP fundamentals he certainly didn’t invent.  And since then, he’s taken all the good stuff from former students and put his claim to it.  Hell, I’m surprized he’s not claiming he invented Yoga too.  I think Bishop’s post points this out better than anything (and this is coming from a guy who was in the top inner circle of SS!  Seriously, you don’t get any deeper than he was).

Get Your Free Guide Here!

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    After that, “I’ll take some rest,” Nima laughed.

    On October 9, Nima reached the top of the 8,027-meter (26,335-foot) Shishapangma along with his partner Pasang Nurbu Sherpa. For Nima, it was the final of the “eight-thousanders,” the 14 peaks recognized by the International Climbing and Mountaineering Federation as standing more than 8,000 meters above sea level.

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    “That means we’re climbing an 8,000-meter mountain in winter… There’s no fixed ropes for us, there’s no (supplemental) oxygen for us, there is no support for us. So, it’s like pure human endurance,” Nima said. “It has never been done in the history of mountaineering.”

    After that, “I’ll take some rest,” Nima laughed.

    On October 9, Nima reached the top of the 8,027-meter (26,335-foot) Shishapangma along with his partner Pasang Nurbu Sherpa. For Nima, it was the final of the “eight-thousanders,” the 14 peaks recognized by the International Climbing and Mountaineering Federation as standing more than 8,000 meters above sea level.

    Describing the moment of summiting the final peak as “pure joy,” Nima said his motivation comes from his family, many of whom are renowned mountaineers.

    His father, Tashi Lakpa Sherpa, has climbed Everest nine times, and at age 19 became the youngest person to summit without bottled oxygen. His uncle Mingma Sherpa became the first South Asian climber to summit the 14 peaks in 2011.

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    The 800-year-old Sverris saga, which follows the story of the real-life King Sverre Sigurdsson, includes the tossing of the body of a dead man — later known as “Well-man” — down a well during a military raid in central Norway in 1197.
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    It’s likely, according to the text, that raiders lobbed the body into the well to poison the main water source for locals, but little else is said about the man or who he was in the saga.

    Researchers initially uncovered the bones in the castle’s well in 1938, but they were only able to carry out a visual analysis at the time. Now, scientists have an array of analytical techniques at their disposal, including genetic sequencing and radiocarbon dating.

    A new study on the remains, published Friday in the Cell Press journal iScience, reveals unprecedented insights into Well-man’s appearance based on in-depth research on samples of his teeth.

    “This is the first time that a person described in these historical texts has actually been found,” said study coauthor Michael D. Martin, a professor in the department of natural history at the Norwegian University of Science and Technology’s University Museum in Trondheim, in a statement.

    “There are a lot of these medieval and ancient remains all around Europe, and they’re increasingly being studied using genomic methods.”

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    This change could have occurred due to shifting trends in Roman – and particularly Pompeian – society, during the first century AD, archaeologists said.

    Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.
    This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.

    One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.

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    From a warzone in Iraq to a Michelin-starred kitchen and a hit Netflix show, chef Sung Anh’s path to the top of Asia’s fine dining scene has been anything but ordinary.

    “Just like I did in the US Army, where I volunteered to go to the war, wanting to do something different — I decided to come here to Korea to try something different,” says the Korean-American chef and judge on hit reality cooking show “Culinary Class Wars,” which has just been green-lit for a second season.
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    Sung, 42, is the head chef and owner of South Korea’s only three-Michelin-starred restaurant, Mosu Seoul. In recent weeks, he has gained a new legion of fans as the meticulous and straight-talking judge on the new Netflix series. It’s this passion and unwavering drive to forge his own path that’s helped reshape fine dining in his birth home.
    Born in Seoul, South Korea’s capital, Sung and his family emigrated to San Diego, California when he was 13.

    “We were just a family from Korea, seeking the American Dream,” he says. “As an immigrant family, we didn’t really know English.”

    As a teen growing up on the US West Coast, his mind couldn’t have been further from cooking.

    “I went to school, got into college, but decided to join the US Army because that’s the only way I thought I could travel,” says the chef.

    Over four years of service, he trained in bases across the country, before being deployed to his country of birth, South Korea and — following 9/11 — to the Middle East.

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    From a warzone in Iraq to a Michelin-starred kitchen and a hit Netflix show, chef Sung Anh’s path to the top of Asia’s fine dining scene has been anything but ordinary.

    “Just like I did in the US Army, where I volunteered to go to the war, wanting to do something different — I decided to come here to Korea to try something different,” says the Korean-American chef and judge on hit reality cooking show “Culinary Class Wars,” which has just been green-lit for a second season.
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    Sung, 42, is the head chef and owner of South Korea’s only three-Michelin-starred restaurant, Mosu Seoul. In recent weeks, he has gained a new legion of fans as the meticulous and straight-talking judge on the new Netflix series. It’s this passion and unwavering drive to forge his own path that’s helped reshape fine dining in his birth home.
    Born in Seoul, South Korea’s capital, Sung and his family emigrated to San Diego, California when he was 13.

    “We were just a family from Korea, seeking the American Dream,” he says. “As an immigrant family, we didn’t really know English.”

    As a teen growing up on the US West Coast, his mind couldn’t have been further from cooking.

    “I went to school, got into college, but decided to join the US Army because that’s the only way I thought I could travel,” says the chef.

    Over four years of service, he trained in bases across the country, before being deployed to his country of birth, South Korea and — following 9/11 — to the Middle East.

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    From a warzone in Iraq to a Michelin-starred kitchen and a hit Netflix show, chef Sung Anh’s path to the top of Asia’s fine dining scene has been anything but ordinary.

    “Just like I did in the US Army, where I volunteered to go to the war, wanting to do something different — I decided to come here to Korea to try something different,” says the Korean-American chef and judge on hit reality cooking show “Culinary Class Wars,” which has just been green-lit for a second season.
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    Sung, 42, is the head chef and owner of South Korea’s only three-Michelin-starred restaurant, Mosu Seoul. In recent weeks, he has gained a new legion of fans as the meticulous and straight-talking judge on the new Netflix series. It’s this passion and unwavering drive to forge his own path that’s helped reshape fine dining in his birth home.
    Born in Seoul, South Korea’s capital, Sung and his family emigrated to San Diego, California when he was 13.

    “We were just a family from Korea, seeking the American Dream,” he says. “As an immigrant family, we didn’t really know English.”

    As a teen growing up on the US West Coast, his mind couldn’t have been further from cooking.

    “I went to school, got into college, but decided to join the US Army because that’s the only way I thought I could travel,” says the chef.

    Over four years of service, he trained in bases across the country, before being deployed to his country of birth, South Korea and — following 9/11 — to the Middle East.

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    Situated in the central district of the ancient city, the house is smaller than normal and unusually lacks the open central courtyard – known as an atrium – that is typical of Roman architecture, the Archaeological Park of Pompeii, which oversees the site, said in a statement Thursday.
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    This change could have occurred due to shifting trends in Roman – and particularly Pompeian – society, during the first century AD, archaeologists said.

    Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.
    This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.

    One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.

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    Situated in the central district of the ancient city, the house is smaller than normal and unusually lacks the open central courtyard – known as an atrium – that is typical of Roman architecture, the Archaeological Park of Pompeii, which oversees the site, said in a statement Thursday.
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    This change could have occurred due to shifting trends in Roman – and particularly Pompeian – society, during the first century AD, archaeologists said.

    Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.
    This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.

    One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.

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