Charisma Arts Strife
July 23, 2008 by Thundercat
Filed under Drama & Rumors
Its been brought to my attention by more than one source lately that Juggler’s company Charisma Arts might (and I repeat, MIGHT) be up to some shenanegans. Its hard to say since I have almost no contact with that company what’s going on over there, but enough people are emailing me to make me think all is not right with the CA crew.
Now it seems they’ve unceremoniously dumped one of their top instructors:
Dan writes:
It has been an interesting journey with CA. I think they offer an
amazing path for men to learn to be more social and better with women.
I still highly recommend them. Unfortunately I see some failings in
their leadership structure and business practices. None of this affects
their past present or future clients. I still recommend people take
their workshops. (IMHO Greg, their LA instructor is the best active
instructor they have)I have always wanted to expand what i learned beyond “pick-up” and
teach more. In the last six months it really looked like CA was
expanding in that direction. They had even changed their tagline to
“Teaching People Stuff to People”. However waiting for it made me a bit
apathetic and honestly i was getting burnt out. You can obviously see
from my lack of posting that i was not passionate about creating new
content. This was eventually what made CA justifiably think about
focusing on other instructors. Younger less-experienced instructors are
hungry for work. They are passionate about writing and bringing in
clients. So in essence my fresh apprentice became my replacement.The hardest thing I found about the end of my working with Charisma
Arts was the way in which it came about. While the company is fantastic
with working with their clients in their workshops, communication
beyond talking to girls in bars apparently does not apply to their
internal communication. I was taken off the schedule for two months and
all of my workshops were changed to my apprentice who was the newest
instructor on the team. I was not told of this change and I only found
out about this because a client emailed me asking when my next workshop
was because they wanted to work with me. I checked the schedule and to
my surprise two months of workshops that i was scheduled for were no
longer being taught by me. My full time employment for two years had
come to a close without so much as a whisper.
This is the third or fourth major employee Juggler has burned through and parted on less-than-stellar-terms with. Gotta make you wonder, right?
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In the clip featuring Paltrow on Friday, the “questions” she addresses do not deal with the controversy, but rather the tech-focused business dealings of New York-based firm Astronomer.
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When Hussain AlMoosawi arrived home, he didn’t recognize anything.
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More than that, the buildings of his childhood were disappearing, replaced by shiny new skyscrapers.
But for AlMoosawi, these international icons were not the urban fabric of his home: it was the oft-overlooked, mid-century office towers and residential blocks squeezed between new highways and overshadowed by luxury developments that felt most familiar.
It sparked a desire to “understand the urban context of the UAE,” and AlMoosawi set out to meticulously document and capture these underappreciated buildings, “and reimagine the city as if it were the ‘80s, the time when I was born.”
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Initially focusing on industrial landscapes, temporary structures and air conditioning units, he began to notice symmetry in many of the buildings he was photographing, inspiring his current project: facades.
“Facades are like a face,” said AlMoosawi. “It’s something that people connect with.”
His bold, geometric images strip away context to spotlight the character and diversity of everyday buildings. Using a telephoto lens to shoot close-ups from the ground or elevated positions, AlMoosawi carefully frames out distractions and sometimes removes minor obstructions like lampposts in post-processing.
So far, the 41-year-old, who is editor-in-chief for National Geographic AlArabiya Magazine, has photographed over 600 building?s across the UAE, and next year hopes to complete his collection in Abu Dhabi, where he lives.
In the long term, he hopes to turn the “lifetime project” into an interactive archive that both preserves urban heritage and invites viewers to rediscover their own city.
“Our cities aren’t big, in terms of scale, compared to many other cities,” said AlMoosawi. “But then they have a story to tell, they have things between the lines that we don’t see, and my quest is to see these things.”
Since India’s independence from Britain in 1947, the status of English in India has been deeply political – entwined with questions of identity, power, and national direction.
Today, English is one of several official languages in India, spoken by about 10% of the population. Hindi is the first language for around 44% of citizens, according to the 2011 census.
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But in recent years, Modi’s BJP has placed particular emphasis on promoting Hindi and reducing the use of English in public life.
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When India hosted world leaders for the 2023 G20 summit in New Delhi, invitations were sent out from “Bharat” – the Sanskrit or Hindi name for the country – instead of “India,” fueling speculation that the government aims to ultimately phase out the country’s English designation altogether.
Modi’s critics have been quick to note his political motives behind these moves.
With its roots in the Rashtriya Swayamsevak Sangh (RSS), a right-wing organization that advocates Hindu hegemony within India, the BJP’s language policies resonate with many in a country where nearly 80% of people are Hindu.
Analysts say the BJP is seeking to capitalize on this demographic by promoting language policies that strengthen its support base in the north.
According to Rita Kothari, an English professor from Ashoka University, the government “is certainly interested in homogenizing the country and making Hindi more widespread.”
But that policy can also backfire – in part because many regions, such as Marathi-speaking Maharashtra in the west – are staunchly proud of their local language.
The violent clashes in the state’s megacity Mumbai earlier this month were sparked by the regional government’s controversial decision to make Hindi a compulsory third language in public primary schools.
Pushback and protest has also been especially strong in the south, where English and regional languages such as Tamil, Telugu, and Kannada are valued as symbols of local identity and autonomy.
When Hussain AlMoosawi arrived home, he didn’t recognize anything.
The Emirati photographer, who had spent eight years studying in Australia, returned to the United Arab Emirates (UAE) in 2013. He’d missed a real estate boom of dizzying proportions: not just new buildings, but new districts.
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More than that, the buildings of his childhood were disappearing, replaced by shiny new skyscrapers.
But for AlMoosawi, these international icons were not the urban fabric of his home: it was the oft-overlooked, mid-century office towers and residential blocks squeezed between new highways and overshadowed by luxury developments that felt most familiar.
It sparked a desire to “understand the urban context of the UAE,” and AlMoosawi set out to meticulously document and capture these underappreciated buildings, “and reimagine the city as if it were the ‘80s, the time when I was born.”
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Initially focusing on industrial landscapes, temporary structures and air conditioning units, he began to notice symmetry in many of the buildings he was photographing, inspiring his current project: facades.
“Facades are like a face,” said AlMoosawi. “It’s something that people connect with.”
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When India hosted world leaders for the 2023 G20 summit in New Delhi, invitations were sent out from “Bharat” – the Sanskrit or Hindi name for the country – instead of “India,” fueling speculation that the government aims to ultimately phase out the country’s English designation altogether.
Modi’s critics have been quick to note his political motives behind these moves.
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